Vue perspective du Chateau de Chantilly du coté de l'Orangerie a 10 Lieues de Paris appartenant a Monseigneur le Prince de condé
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1770, depicting a view of the Chantilly Castle (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Musée Condé (Chantilly, France) owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective du chateau de chantilly du coté de l'orangerie a 10 lieues de paris appartenant a monseigneur le prince de condé
Find more artworks related to these topics :
The Château de Chantilly is a historic château located in the town of Chantilly, France, about 50 kilometers (30 miles) north of Paris. The site comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s.
The main French formal garden, featuring extensive parterres and water features, was laid out principally by André Le Nôtre for the Grand Condé. André Le Nôtre structured the park around two perpendicular axes: the first, North-South, in the axis of the majestic terrace built by the constable of Montmorency, is perpendicular to the curves level and highlights the undulating site; the second, East-West, is occupied by The Grand Canal, along the valley. Between the terrace and the Grand Canal, to the north of the castle, Le Nôtre has laid out
The Galerie Napoléon is pleased to propose to you this strong water etching printed 252 years ago (around 1770).
As for all the antique prints in our catalogue, this optical view Vue perspective du Chateau de Chantilly du coté de l'Orangerie a 10 Lieues de Paris appartenant a Monseigneur le Prince de condé datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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