Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Castle Sant'Angelo in Rome (Italy)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset, N. J. B. de Poilly & Daumont in Paris circa 1760

18th Century optical view in original watercolors of the Castle Sant'Angelo in Rome (Italy)
Free Passepartout (available in 23 shades)
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176018th Century
  • Date : circa 1760
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Basset, Nicolas-Jean-Baptiste de Poilly & Jean-François Daumont
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 35.0 x 52.0 cm
  • Plate : 27.0 x 40.0 cm
  • Inventory N° : FR-03171
600€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

LE PONT SAINT ANGE A ROME

Mentions

  • Et Présentement chez Basset rue St Jacques au coin de celle des Mathurins.
  • Paris chez N.J.B. de Poilly Rue S. Jacques a l'Esperance
  • Et a présent chez Daumont rue St Martin présentement chés Lachaussée rue S. Jacques.
  • Le Pont St Ange a Rome s'appeloit autrefois Pontius et a changé de nom sur ce qu'un Ange y apparut à une Procession qu'on faisoit en tems de Pêste, lequel remettant une Epée sanglante dans son fourreau fit voir par la que la Colere de Dieu etoit appaisée. Le Château est un reste de la Sepulture de l'Empereur Adrien.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset, N. J. B. de Poilly & Daumont in Paris circa 1760, depicting a view of the Castle Sant'Angelo in Rome (Italy).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

Very good state

Ponte and Castel Sant'Angelo

Ponte Sant'Angelo, originally the Aelian Bridge or Pons Aelius, is a Roman bridge in Rome, Italy, completed in 134 AD by Roman Emperor Hadrian, to span the Tiber from the city centre to his mausoleum, the Castel Sant'Angelo. The bridge with five arches, is faced with travertine marble and spans the Tiber.

The Castel Sant'Angelo, tomb of the Roman emperor Hadrian, was erected on the right bank of the Tiber, between AD 134 and 139. Originally the mausoleum was a decorated cylinder, with a garden top and golden quadriga. Hadrian's ashes were placed here, a year after his death in Baiae in 138, together with those of his wife Sabina, and his first adopted son, Lucius Aelius, who died in 138.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 261 years ago (around 1760).

As for all the antique prints in our catalogue, this optical view LE PONT SAINT ANGE A ROME datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

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Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations (& Switzerland) and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 6EUR for France, 8EUR for all EU destinations (& Switzerland) and 10EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Ponte Sant'Angelo

Optical view of Ponte Sant'Angelo and Castle Sant'Angelo - Rome (Italy) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset & Debour et Gangel in Paris circa 1840

Optical view of Ponte Sant'Angelo and Castle Sant'Angelo - Rome (Italy)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset & Debour et Gangel in Paris circa 1840
Optical view of Ponte Sant'Angelo and Castle Sant'Angelo in Rome (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Ponte Sant'Angelo and Castle Sant'Angelo in Rome (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Optical view of Ponte Sant'Angelo and Castle Sant'Angelo in Rome (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Ponte Sant'Angelo and Castle Sant'Angelo in Rome (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770
View of Rome - Ponte Sant'Angelo and Castel Sant'Angelo - Castle Saint Angelo (Italy) | Original wood engraving drawn by H. Clerget, engraved by J. Gauchard. 1877

View of Rome - Ponte Sant'Angelo and Castel Sant'Angelo - Castle Saint Angelo (Italy)

Original wood engraving drawn by H. Clerget, engraved by J. Gauchard. 1877

Vatican

Optical view of the Vatican Library (Vatican City) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

Optical view of the Vatican Library (Vatican City)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780
Optical view of Saint Peter's Square in Roma (Vatican City) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Saint Peter's Square in Roma (Vatican City)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770
Optical view of Cortile del Belvedere - Vatican City (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of Cortile del Belvedere - Vatican City (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the St. Peter's Basilica and Apostolic Palace (Vatican City) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by George Gottfried Winckler. Published by Georg Balthasar Probst in Augsburg circa 1760

Optical view of the St. Peter's Basilica and Apostolic Palace (Vatican City)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by George Gottfried Winckler. Published by Georg Balthasar Probst in Augsburg circa 1760
Optical view of the St. Peter's Basilica (Vatican City) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée & Daumont in Paris circa 1770

Optical view of the St. Peter's Basilica (Vatican City)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée & Daumont in Paris circa 1770
Optical view of St. Peter's Basilica in Roma (Vatican City) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of St. Peter's Basilica in Roma (Vatican City)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830