Vue d'Optique nouvelle, représentant la grande Ecluse et le Pavillon de Manse, dans le Comté du même nom.
A Paris chez J. Chereau rue St Jacques au dessus de la Fontaine St Severin N° 257.
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780, depicting a view of the Lock of the Pavillon Manse at Chantilly (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Find more artworks related to these topics :
The Prince of Condé, Louis II of Bourbon-Condé, heir to the Château de Chantilly, called on André Le Nôtre from 1662 to decorate the park. In order for waterfalls, fountains and pools to function, it is necessary to make a machine capable of collecting water and then raising it 25 meters high, to store it in a tank. The prince of Condé then decides to build a machine on the banks of the channeled Nonette river which allows this water to be transported. He entrusts the task to Jacques de Manse, specialist in hydraulics. The building plans are drawn by Jules Hardouin Mansart, first architect of King Louis XIV. The Pavilion was built in 1678.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 242 years ago (around 1780).
As for all the antique prints in our catalogue, this optical view Vue d'Optique nouvelle, représentant la grande Ecluse et le Pavillon de Manse, dans le Comté du même nom. datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
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This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
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