Collection of optical views Galerie
Napoléon

Optical view of Naples (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time engraved by François Xavier Habermann after Quilielm Baur. Published by l'Académie Impériale d'Augsbourg in Augsburg circa 1750

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1750Time of Louis XV
  • Date : circa 1750
  • Period : 18th century
  • Time : Louis XV
  • Technique : Strong water etching
  • Support : Laid paper
  • Publisher : Académie Impériale d'Augsbourg
  • Place of publication : Augsbourg
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 32.0 x 43.0 cm
  • Plate : 30.0 x 41.5 cm
  • Inventory number : FR-3010
700.00€
(Frame not included)
  • Free shipping costs
  • Shipment within 24H
  • Online tracking
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta

Original title

Vüe du Place grande a Neaple vers Orient

Mentions

designe d'apres Nature par Quilielm Baur et fait en Estampe par François Xav. Habermann
aux Depenses de l'Academie Imperiale d'Augsbourg

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time engraved by François Xavier Habermann after Quilielm Baur. Published by l'Académie Impériale d'Augsbourg in Augsburg circa 1750, depicting a view of Naples (Italy).

During the 18th century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • Foxing spots in the lower margin
  • A restored tear in the upper part (4cm)
  • A restored tear in the lower margin (3cm)

This print is listed in these categories :

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Shipment within 24H Certificate of authenticity
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Secured payment 100% Secured by Paybox
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Secured shipment Secured packaging

Naples

In 1707, during the War of the Spanish Succession, Naples and its kingdom passed to Austria. However from 1734, the kingdom of Naples regains its independence after more than two centuries of foreign domination: this year, the Spaniards of Charles de Bourbon drive out the Austrians and Charles is named king of Naples, settling in the new capital. It is the beginning of a period of great cultural and artistic renewal for Naples. Charles is a great builder, giving the city and its surroundings many palaces and monuments like the Palace of Capodimonte and the Palace of Portici. He also launched the first excavations of a disappeared Roman city, Herculaneum. The discovery of ancient remains has a great influence in the world of the arts, with the taste for neoclassicism, of which the royal palace of Caserta is one of the first examples. Wealthy foreign tourists flock to Naples to visit its ancient and modern monuments during the Grand Tour. The city also became the undisputed capital of music at that time and the San Carlo Theater was the most important opera house in Europe.

In 1758 Charles was called back to Spain to succeed his father and left him throne of Naples to his son Ferdinand. This year therefore marks the final division of the kingdom of Naples from the Spanish crown. The city of Naples becomes the capital of the kingdom later known as the Kingdom of the Two Sicilies, which brings together Sicily and the entire mainland of southern Italy.

Les Artistes

  • Baur, Quilielm (17??-17??)
  • Habermann, Franz Xaver (1721-1796)

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 271 years ago (around 1750).
As for all the antique prints in our catalogue, this optical view Vüe du Place grande a Neaple vers Orient dating from 1750 is dispatched worldwide within 24H in a secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1750).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our guarantee

With more than 20 years experience and a catalogue of more than 30.000 antique prints and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Secured shipment

Les commandes sont offerts pour toute commande supérieure à 50EUR pour la France, 70EUR pour l'union européenne (et Suisse) et 90EUR pour le reste du monde.

Les frais de port sont offerts pour toute commande supérieure à 50EUR pour la France, 70EUR pour l'union européenne (et Suisse) et 90EUR pour le reste du monde.

Pour les commandes inférieures à ces montants, les frais de port sont de 6EUR pour la France, 8EUR pour l'union européenne (et Suisse) et 10EUR pour le reste du monde.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Administrative order (Museums, Universities, Town Halls, Ministries...)
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