Collection of optical views Galerie
Napoléon

Optical view of Tophane Barracks in the Port of Constantinople (Turkey)

Early XIXth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1820

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1820Time of Louis XVIII
  • Date : circa 1820
  • Period : 19th century
  • Time : Louis XVIII
  • Technique : Strong water etching
  • Support : Laid paper
  • Publisher : Basset
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 30.0 x 42.0 cm
  • Plate : 25.0 x 40.0 cm
  • Inventory number : FR-3013
400.00€
(Frame not included)
  • Free shipping costs
  • Shipment within 24H
  • Online tracking
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta

Original title

VUE DE LA PLACE ET DES CASERNES DE TOP-HANE à l'entrée du Port de Constantionople

Description

Early XIXth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1820, depicting a view of Tophane Barracks in the Port of Constantinople (Turkey).

During the 18th century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

Very good state

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Tophane (Constantinople)

Tophane is a quarter in the Beyoğlu district of Istanbul, Turkey. It has a coastline with the Bosphorus.

The name of the place was derived from the armory known as Tophane-i Amire which was built in the reign (1451–1481) of Ottoman Sultan Mehmed II. Its main purpose was the manufacturing cannons and cannonballs. Tophane, which could be seen in Melling's (1763–1831) engraving, has not been able to survive to this day. In 1823, during the Firuz Agha fire, the barracks were burned down only to be rebuilt later. In addition to this, during the reconstruction effort, the Nusretiye Mosque was constructed. The oldest remaining military buildings within Tophane were the old General Staff Headquarters and the industry barracks. Both were taken down due to construction to widen the road in 1958. In the place of the barracks, all that is remaining now is the historical clock tower and Mecidiye Mansion.

The Kılıç Ali Pasha Complex in Tophane, built by the Ottoman Kapudan-i Derya Kılıç Ali Pasha and designed by the renowned architect Mimar Sinan, is a külliye which comprises a mosque, a medrese, a hamam, a türbe, and a fountain that were constructed between 1578 and 1587.

The Tophane Fountain, situated between Nusretiye Mosque and Kılıç Ali Pasha Complex, was commissioned by Mahmud I and built in 1732.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 201 years ago (around 1820).
As for all the antique prints in our catalogue, this optical view VUE DE LA PLACE ET DES CASERNES DE TOP-HANE à l'entrée du Port de Constantionople dating from 1820 is dispatched worldwide within 24H in a secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1820).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our guarantee

With more than 20 years experience and a catalogue of more than 30.000 antique prints and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Secured shipment

Les commandes sont offerts pour toute commande supérieure à 50EUR pour la France, 70EUR pour l'union européenne (et Suisse) et 90EUR pour le reste du monde.

Les frais de port sont offerts pour toute commande supérieure à 50EUR pour la France, 70EUR pour l'union européenne (et Suisse) et 90EUR pour le reste du monde.

Pour les commandes inférieures à ces montants, les frais de port sont de 6EUR pour la France, 8EUR pour l'union européenne (et Suisse) et 10EUR pour le reste du monde.

Secured payment

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  • Administrative order (Museums, Universities, Town Halls, Ministries...)
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