Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Shipwreck of the austrian prisoners in the Baltic sea
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

18th Century optical view in original watercolors of the Shipwreck of the austrian prisoners in the Baltic sea
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
177018th Century
  • Date : circa 1770
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : s.n.
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 25.0 x 39.0 cm
  • Plate : 25.0 x 39.0 cm
  • Inventory N° : FR-03908
450€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Vue perspective du Naufrage des Prisonniers Autrichiens en passant la Mer Baltique faisant route pour le Magdebourg.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770, depicting a view of the Shipwreck of the austrian prisoners in the Baltic sea.

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • This optical view is extracted from a series of several views mounted end to end. This roller was intended to be used in an boîte d’optique (optical box) fitted with a crank in order to scroll through the images. These views are devoid of margins, numbered (labels or traces of labels in the upper part) and most often include some vestiges of the mounting on the back (strips of paper or fabric glued).
  • Fold mark

This strong water etching is listed in these categories :

Baltic sea

The Baltic Sea is an intracontinental and inland sea located in the North of Europe and connected to the Atlantic Ocean by the North Sea. It communicates to the southwest with the North Sea via the Cattégat and the Skagerrak. Three main gulfs integrate this space: the Gulf of Bothnia to the north, the Gulf of Finland to the east and the Gulf of Riga to the southeast.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).

As for all the antique prints in our catalogue, this optical view Vue perspective du Naufrage des Prisonniers Autrichiens en passant la Mer Baltique faisant route pour le Magdebourg. datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Shipwreck

Optical view of a Shipwreck | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of a Shipwreck

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
The Shipwreck of Don Juan (Eugène Delacroix) | Original lithograph drawn by Français after E. Delacroix, printed by Petit et Bertauts. 1841

The Shipwreck of Don Juan (Eugène Delacroix)

Original lithograph drawn by Français after E. Delacroix, printed by Petit et Bertauts. 1841
Shipwreck of an English East India Company Vessel - The Kent in Fire | Original steel engraving drawn by A. Jugelet after J.A. Gudin, engraved by Fortier. 1842

Shipwreck of an English East India Company Vessel - The Kent in Fire

Original steel engraving drawn by A. Jugelet after J.A. Gudin, engraved by Fortier. 1842
Shipwreck of the English Sailing Ship Woodrop Sims off the African Coasts | Original steel engraving drawn by A.L. Garneray, engraved by A. Rouargue. 1842

Shipwreck of the English Sailing Ship Woodrop Sims off the African Coasts

Original steel engraving drawn by A.L. Garneray, engraved by A. Rouargue. 1842
Naval Battle - Shipwreck - Boat - Sailboat - Vassel - French Ships | Original steel engraving drawn by Morel, engraved by A. Et. 1838

Naval Battle - Shipwreck - Boat - Sailboat - Vassel - French Ships

Original steel engraving drawn by Morel, engraved by A. Et. 1838
Rainstorm - Shipwreck - Boat - Sailboat - Vassel - French Ships | Original steel engraving drawn by L. Garneray, engraved by Alès. 1838

Rainstorm - Shipwreck - Boat - Sailboat - Vassel - French Ships

Original steel engraving drawn by L. Garneray, engraved by Alès. 1838

Baltic Sea

View of Rügen - Rugia - Königsstuhl - Baltic Sea (Germany) | Original wood engraving drawn by T. Taylor, engraved by Hildibrand. 1875

View of Rügen - Rugia - Königsstuhl - Baltic Sea (Germany)

Original wood engraving drawn by T. Taylor, engraved by Hildibrand. 1875
View of Riga - Baltic Sea (Latvia) | Original wood engraving drawn by Koerner. Hand watercolored. 1880

View of Riga - Baltic Sea (Latvia)

Original wood engraving drawn by Koerner. Hand watercolored. 1880
View of Vilno - Vilnius - Northern Europe - Baltic Sea (Lituanie) | Original wood engraving drawn by Baudoin, engraved by Sargent. Hand watercolored. 1880

View of Vilno - Vilnius - Northern Europe - Baltic Sea (Lituanie)

Original wood engraving drawn by Baudoin, engraved by Sargent. Hand watercolored. 1880
View of Reval - Tallinn - Baltic Sea (Estonia) | Original wood engraving drawn by Benoist, engraved by Hildibrand. Hand watercolored. 1880

View of Reval - Tallinn - Baltic Sea (Estonia)

Original wood engraving drawn by Benoist, engraved by Hildibrand. Hand watercolored. 1880
View of Rügen - Rugia - Königsstuhl - Baltic Sea (Germany) | Original wood engraving drawn by Taylor, engraved by Hildibrand. Hand watercolored. 1878

View of Rügen - Rugia - Königsstuhl - Baltic Sea (Germany)

Original wood engraving drawn by Taylor, engraved by Hildibrand. Hand watercolored. 1878
View of Reval - Tallinn - Baltic Sea (Estonia) | Original steel engraving drawn by Danvin, engraved by Cholet. Hand watercolored. 1838

View of Reval - Tallinn - Baltic Sea (Estonia)

Original steel engraving drawn by Danvin, engraved by Cholet. Hand watercolored. 1838

Sailboat

Optical view of sailboats | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time after Van de Velde. Published in Paris circa 1770

Optical view of sailboats

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time after Van de Velde. Published in Paris circa 1770
Optical view of sailboats | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of sailboats

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Naval Battle - Shipwreck - Boat - Sailboat - Vassel - French Ships | Original steel engraving drawn by Morel, engraved by A. Et. 1838

Naval Battle - Shipwreck - Boat - Sailboat - Vassel - French Ships

Original steel engraving drawn by Morel, engraved by A. Et. 1838
Rainstorm - Shipwreck - Boat - Sailboat - Vassel - French Ships | Original steel engraving drawn by L. Garneray, engraved by Alès. 1838

Rainstorm - Shipwreck - Boat - Sailboat - Vassel - French Ships

Original steel engraving drawn by L. Garneray, engraved by Alès. 1838
Boat - Sailboat - Vassel - English Ship | Original steel engraving drawn by Cook, engraved by R. Jeune. 1838

Boat - Sailboat - Vassel - English Ship

Original steel engraving drawn by Cook, engraved by R. Jeune. 1838

Storm

French Revolution - Journal de Paris - Sunday, July 12, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois) | Journal de Paris N°193, newspaper dated Sunday, July 12, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Sunday, July 12, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois)

Journal de Paris N°193, newspaper dated Sunday, July 12, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Tuesday, July 14, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois) | Journal de Paris N°195, newspaper dated Tuesday, July 14, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Tuesday, July 14, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois)

Journal de Paris N°195, newspaper dated Tuesday, July 14, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Saturday, July 18, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois) | Journal de Paris N°199, newspaper dated Saturday, July 18, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Saturday, July 18, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois)

Journal de Paris N°199, newspaper dated Saturday, July 18, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Thursday, July 23, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois) | Journal de Paris N°204, newspaper dated Thursday, July 23, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, July 23, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois)

Journal de Paris N°204, newspaper dated Thursday, July 23, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Sunday, July 26, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois) | Journal de Paris N°207, newspaper dated Sunday, July 26, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Sunday, July 26, 1789 | The Storming of the Bastille - Arrest of M. de Launay (Jean Dubois)

Journal de Paris N°207, newspaper dated Sunday, July 26, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
Assignat of 15 sols - French Revolution - 1793 | The Storming of the Bastille | Assignat of 15 sols from the year 1793 (An 2 de la République)

Assignat of 15 sols - French Revolution - 1793 | The Storming of the Bastille

Assignat of 15 sols from the year 1793 (An 2 de la République)