Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the City of Goa (India)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770

18th Century optical view in original watercolors of the City of Goa (India)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
177018th Century
  • Date : circa 1770
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : s.n.
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 25.0 x 39.0 cm
  • Plate : 25.0 x 39.0 cm
  • Inventory N° : FR-03904
700€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770, depicting a view of the City of Goa (India).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

This optical view is extracted from a series of several views mounted end to end. This roller was intended to be used in an boîte d’optique (optical box) fitted with a crank in order to scroll through the images. These views are devoid of margins, numbered (labels or traces of labels in the upper part) and most often include some vestiges of the mounting on the back (strips of paper or fabric glued).

This strong water etching is listed in these categories :

Goa

Goa forms the first Portuguese colonial settlement in India.

The Portuguese attacked on February 10, 1510 under the command of Afonso de Albuquerque. The garrison of Ottoman mercenaries being outnumbered, the city surrendered without fighting, and Albuquerque entered in triumph, acclaimed by the Hindu population.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).

As for all the antique prints in our catalogue, this optical view datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Town

Optical view of the Marseille Town Hall (France) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780

Optical view of the Marseille Town Hall (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780
Normandy - Back from the Town  (Hippolyte Bellangé) | Original lithograph drawn by H. Bellangé after H. Bellangé, printed by Petit & Bertauts. 1840

Normandy - Back from the Town (Hippolyte Bellangé)

Original lithograph drawn by H. Bellangé after H. Bellangé, printed by Petit & Bertauts. 1840
Impressionism - The Laundresses Carrying Linen in Town - Blanchisseuses Portant du Linge en Ville (Edgar Degas - 1879) | Original helio-engraving on vellum paper after Edgar Degas. Printed 6 years before he died. 1911

Impressionism - The Laundresses Carrying Linen in Town - Blanchisseuses Portant du Linge en Ville (Edgar Degas - 1879)

Original helio-engraving on vellum paper after Edgar Degas. Printed 6 years before he died. 1911
China - Bridge in a Chinese Town - Chinese Lady and her Child | Original steel engraving drawn by Louis Auguste de Sainson, engraved by Beyer. 1834

China - Bridge in a Chinese Town - Chinese Lady and her Child

Original steel engraving drawn by Louis Auguste de Sainson, engraved by Beyer. 1834
Philippines - China - Chinatown in Manila - Cockfight | Original steel engraving drawn by Louis Auguste de Sainson, engraved by Beyer. 1834

Philippines - China - Chinatown in Manila - Cockfight

Original steel engraving drawn by Louis Auguste de Sainson, engraved by Beyer. 1834

Goa

Castle - Burg Maus - Sankt Goarshausen (Germany) | Original wood engraving drawn by Th. Weber, engraved by Hildibrand. 1875

Castle - Burg Maus - Sankt Goarshausen (Germany)

Original wood engraving drawn by Th. Weber, engraved by Hildibrand. 1875
Historic Monument - Altar of the Foll-Goat Church (Finistère, France) | Original steel engraving drawn by Gaucherel, engraved by Lemaitre. 1845

Historic Monument - Altar of the Foll-Goat Church (Finistère, France)

Original steel engraving drawn by Gaucherel, engraved by Lemaitre. 1845
Fables of La Fontaine - Two Goats (Gustave Doré) | Original wood engraving drawn by Gustave Doré, engraved by A. Ligny. 1868

Fables of La Fontaine - Two Goats (Gustave Doré)

Original wood engraving drawn by Gustave Doré, engraved by A. Ligny. 1868
Goats of Tibet (China) - Trade | Original steel engraving drawn by Martinet, engraved by Lacauchie. 1835

Goats of Tibet (China) - Trade

Original steel engraving drawn by Martinet, engraved by Lacauchie. 1835
View of Lazio - Herd of Goats (Italy) | Original wood engraving. Anonymous. 1873

View of Lazio - Herd of Goats (Italy)

Original wood engraving. Anonymous. 1873
Goats | Original lithograph. Anonymous. Original hand-colored. 1850

Goats

Original lithograph. Anonymous. Original hand-colored. 1850

City

Decree - Louis XVI of France - 1790 - Chinon city taxes | Portrait of Honoré-Gabriel Riqueti de Mirabeau (1749-1791) | Decree of the National Assembly with a large woodcut vignette dated 2 Novembre 1790

Decree - Louis XVI of France - 1790 - Chinon city taxes | Portrait of Honoré-Gabriel Riqueti de Mirabeau (1749-1791)

Decree of the National Assembly with a large woodcut vignette dated 2 Novembre 1790
French Revolutionary Wars - 1795 - 14th Battalion of Seine-et-Oise - Attribution of a Pension by the city of Fourqueux to the widow of a captain killed in action | Historical Document on laid paper with watermark dated 1795 (21 Nivôse An III) bearing the wax seal of Fourqueux, biography and antique print of Pierre Riel de Beurnonville

French Revolutionary Wars - 1795 - 14th Battalion of Seine-et-Oise - Attribution of a Pension by the city of Fourqueux to the widow of a captain killed in action

Historical Document on laid paper with watermark dated 1795 (21 Nivôse An III) bearing the wax seal of Fourqueux, biography and antique print of Pierre Riel de Beurnonville
Optical view of Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

India

Optical view of Dutch East India Company in Amsterdam (Holland) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Henry Overton in London circa 1752

Optical view of Dutch East India Company in Amsterdam (Holland)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Henry Overton in London circa 1752
Optical view of the Grand Mogul Palace in Delhi in 1760 (India) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760

Optical view of the Grand Mogul Palace in Delhi in 1760 (India)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760
Optical view of the Residence of the Governor of India in Pondicherry (India) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780

Optical view of the Residence of the Governor of India in Pondicherry (India)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780
Optical view of Governor's garden in Pondicherry (India) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Governor's garden in Pondicherry (India)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Saint Francis Xavier baptizing and curing the sick indians (Germain Paget) | Original lithograph drawn by Bouvier after G. Paget, printed by Rigo. 1844

Saint Francis Xavier baptizing and curing the sick indians (Germain Paget)

Original lithograph drawn by Bouvier after G. Paget, printed by Rigo. 1844
East India House - London  (England) | Original copper engraving drawn by J.R. Thompson, engraved by W. Angus. 1807

East India House - London (England)

Original copper engraving drawn by J.R. Thompson, engraved by W. Angus. 1807