Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Toulon port (France)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1760

18th Century optical view in original watercolors of Toulon port (France)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
176018th Century
  • Date : circa 1760
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : s.n.
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 30.0 x 40.0 cm
  • Plate : 27.0 x 40.0 cm
  • Inventory N° : FR-03879
500€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Vue du Port de Toulon.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1760, depicting a view of Toulon port (France).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • This optical view is extracted from a series of several views mounted end to end. This roller was intended to be used in an boîte d’optique (optical box) fitted with a crank in order to scroll through the images. These views are devoid of margins, numbered (labels or traces of labels in the upper part) and most often include some vestiges of the mounting on the back (strips of paper or fabric glued).
  • Water stains in the upper part
  • Fold mark at the center

Toulon

From Charles VIII, founder of the arsenal, Valois and Capétiens strive to make the place of Toulon the first port of the Levant for the war, even if Marseilles, first commercial port of France, keeps the galleys of the king for a long time . Toulon overseeing both the Gulf of Lion and the Gulf of Genoa, Louis XII had the first fortification of the square erected there: the Grosse Tour in 1513, known as the Royal Tower.

But in 1524 Charles V seized Toulon, with the Constable de Bourbon and Admiral Hugo de Moncada. In 1530, the Barbaresques ransack the port. In 1534, François I erect the fort of Vignettes, on the Mourillon coast, by Saint-Rémy, engineer of the ports. But in 1536, the condottiere Andrea Doria took Toulon for the count of Charles Quint.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 264 years ago (around 1760).

As for all the antique prints in our catalogue, this optical view Vue du Port de Toulon. datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Port

French Revolution - Journal de Paris - Sunday, June 28, 1789 | Portrait of Camille Desmoulins (1760-1794) | Journal de Paris N°179, newspaper dated Sunday, June 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Sunday, June 28, 1789 | Portrait of Camille Desmoulins (1760-1794)

Journal de Paris N°179, newspaper dated Sunday, June 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Wednesday, July 1, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court) | Journal de Paris N°182, newspaper dated Wednesday, July 1, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Wednesday, July 1, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court)

Journal de Paris N°182, newspaper dated Wednesday, July 1, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Thursday, July 2, 1789 | Portrait of Louis Antoine de Saint-Just (1767-1794) | Journal de Paris N°183, newspaper dated Thursday, July 2, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, July 2, 1789 | Portrait of Louis Antoine de Saint-Just (1767-1794)

Journal de Paris N°183, newspaper dated Thursday, July 2, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Friday, July 3, 1789 | Portrait of Marianne - National Personification of the French Republic | Journal de Paris N°184, newspaper dated Friday, July 3, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Friday, July 3, 1789 | Portrait of Marianne - National Personification of the French Republic

Journal de Paris N°184, newspaper dated Friday, July 3, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Saturday, July 4, 1789 | Portrait of Marianne - National Personification of the French Republic | Journal de Paris N°185, newspaper dated Saturday, July 4, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Saturday, July 4, 1789 | Portrait of Marianne - National Personification of the French Republic

Journal de Paris N°185, newspaper dated Saturday, July 4, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Sunday, July 5, 1789 | Portrait of Marianne - National Personification of the French Republic | Journal de Paris N°186, newspaper dated Sunday, July 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Sunday, July 5, 1789 | Portrait of Marianne - National Personification of the French Republic

Journal de Paris N°186, newspaper dated Sunday, July 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

France

French Revolution - Journal de Paris - Monday, July 27, 1789 | National Motto of France - Fraternity | Journal de Paris N°208, newspaper dated Monday, July 27, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Monday, July 27, 1789 | National Motto of France - Fraternity

Journal de Paris N°208, newspaper dated Monday, July 27, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Tuesday, July 28, 1789 | National Motto of France - Equality | Journal de Paris N°209, newspaper dated Tuesday, July 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Tuesday, July 28, 1789 | National Motto of France - Equality

Journal de Paris N°209, newspaper dated Tuesday, July 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Wednesday, August 19, 1789 | Portrait of Louis XVI of France ( Antoine-François Callet) | Journal de Paris N°231, newspaper dated Wednesday, August 19, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Wednesday, August 19, 1789 | Portrait of Louis XVI of France ( Antoine-François Callet)

Journal de Paris N°231, newspaper dated Wednesday, August 19, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Monday, September 7, 1789 | National Motto of France - Equality | Journal de Paris N°250, newspaper dated Monday, September 7, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Monday, September 7, 1789 | National Motto of France - Equality

Journal de Paris N°250, newspaper dated Monday, September 7, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Tuesday, September 8, 1789 | National Motto of France - Liberty | Journal de Paris N°251, newspaper dated Tuesday, September 8, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Tuesday, September 8, 1789 | National Motto of France - Liberty

Journal de Paris N°251, newspaper dated Tuesday, September 8, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Wednesday, September 9, 1789 | National Motto of France - Fraternity | Journal de Paris N°252, newspaper dated Wednesday, September 9, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Wednesday, September 9, 1789 | National Motto of France - Fraternity

Journal de Paris N°252, newspaper dated Wednesday, September 9, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

Toulon

Optical view of Toulon port (France) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780

Optical view of Toulon port (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780
History of Napoleon Bonaparte - Battery of Sans Culotte (Toulon 1793) - French Revolutionary Wars - Fall of Toulon | Original wood engraving drawn by A. Raffet, engraved by Piaud. [tiré à part]. 1839

History of Napoleon Bonaparte - Battery of Sans Culotte (Toulon 1793) - French Revolutionary Wars - Fall of Toulon

Original wood engraving drawn by A. Raffet, engraved by Piaud. [tiré à part]. 1839
Napoleon Bonaparte - Siege of Toulon - French Revolutionary Wars - 1793 | Original typogravure by Boussod & Valadon after Iung. 1890

Napoleon Bonaparte - Siege of Toulon - French Revolutionary Wars - 1793

Original typogravure by Boussod & Valadon after Iung. 1890

Military port

Finistère - Military port of Brest - Brittany (France) - Warship | Original photochrom print engraved by Gillot. 1890

Finistère - Military port of Brest - Brittany (France) - Warship

Original photochrom print engraved by Gillot. 1890
Military port of Toulon - Var - France (1893) | Original wood engraving printed in chromotypography. Anonymous. Text on the reverse. 1893

Military port of Toulon - Var - France (1893)

Original wood engraving printed in chromotypography. Anonymous. Text on the reverse. 1893