Original title
110e Vue du Palais Quirinal à Rome
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770, depicting a view of the Quirinal Palace in Rome (Italy).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Condition report
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In 1574, Pope Gregory XIII started the construction of a summer residence, in a place considered more salubrious than the Lateran, a marshy area at that time.
The task was then entrusted to the architect Ottaviano Mascherino, originally from Bologna, who completed the first works in 1585. The death of the Pope, the same year, prevented the artist from launching a second project which planned the enlargement of the new papal house in order to make it a large palace worthy of welcoming the head of the Catholic Church.
Pope Paul V entrusts the enlargement work to Flaminio Ponzio who realizes the wing overlooking the garden, the Consistory hall and the Cappella dell 'Annunziata, decorated between 1609 and 1612 by Guido Reni with the collaboration of Giovanni Lanfranco, Francesco Albani, Antonio Carracci and Tommaso Campana. After Ponzio's death in 1613, enlargement work was continued by Carlo Maderno. Construction was then continued between 1722 and 1724 by Alessandro Specchi for Pope Innocent XIII and completed by Ferdinando Fuga between 1730 and 1732 for Clement XII. The main staircase is dominated by a fresco by Melozzo da Forlì, a Christ in glory.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).
As for all the antique prints in our catalogue, this optical view 110e Vue du Palais Quirinal à Rome datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
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