Vue Perspective de la Maison de plaisance de l'Archevêque de Munster Province d'Irlande
A Paris chés Huquier fils, graveur, rue St Jacques, au dessus de celle des Mathurins, au Gd. St Remy.
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760, depicting a view of the Archbishop of Munster's pleasure house (Ireland).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Very good state
Find more artworks related to these topics :
The introduction of Christianity to Ireland dates to before the 5th century, presumably in interactions with Roman Britain. Christian worship had reached pagan Ireland around 400 AD. Monasteries were built for monks who wanted permanent communion with God.
During the ninth and tenth centuries, waves of Norse warriors ransacked the countryside. The monasteries were favourite targets for their treasures of golden religious ornaments.
The Irish Confederate Wars resulted in much destruction of church property. Irish Catholics were severely persecuted under Oliver Cromwell, their situation only slightly improving under the Stuart kings. The land settlements in the aftermath of these wars, and the defeat of James II in 1691, reduced Irish Catholic freeholders to a fraction of their previous size. The introduction of the Penal Laws further proscribed the practise of Roman Catholicism, with many priests and bishops forced into hiding or exile. Not until the 1770s did the religious climate relax, somewhat.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 261 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view Vue Perspective de la Maison de plaisance de l'Archevêque de Munster Province d'Irlande datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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