Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of San Carlo alle Quattro Fontane - Rome (Italy)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1770

18th Century optical view in original watercolors of San Carlo alle Quattro Fontane - Rome (Italy)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
177018th Century
  • Date : circa 1770
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jean-François Daumont
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 28.0 x 41.0 cm
  • Plate : 25.0 x 41.0 cm
  • Inventory N° : FR-03506
400€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

10e. VUE D'OPTIQUE Representant l'Eglise de St. Carlin aux quatre fontaines a Rome - Prospectus Eccliesia Sancti Carlini ad quatuor fontes Romae.

Mentions

A Paris chez Daumont rue St Martin

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1770, depicting a view of San Carlo alle Quattro Fontane - Rome (Italy).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Museums & Archives

The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : 10e. vue d'optique representant l'eglise de st. carlin aux quatre fontaines a rome - prospectus eccliesia sancti carlini ad quatuor fontes romae.

Condition report

No margin

This strong water etching is listed in these categories :

San Carlo alle Quattro Fontane

The San Carlo alle Quattro Fontane church is a baroque church in Rome, located in the Monti district, built by Francesco Borromini for a small convent of a Spanish order: the Trinitarians Dischal. It was the first independent realization of Francesco Borromini.

The church, dedicated to Saint Charles Borromée, is named in Italian, San Carlo alle Quattro Fontane, but because of its small dimensions, the Italians call it most often San Carlino . It owes its name to the crossroads on which it is located and whose four corners are decorated with a fountain representing the Tiber and the Arno on the one hand, Diane and Juno on the other. This achievement by Borromini is considered to be one of the masterpieces of Baroque architecture.

Four arches follow the elliptical entablature of the dome, which is built of brick. This humble material, along with the stucco, will be used almost exclusively, due to the poverty of the monks, which suited the simple tastes of Borromini in this area. The dome is decorated with a set of boxes, the size of which decreases as it goes up the vault. The caissons have various themes which alternate in their arrangement: circle inscribed in an octagon, hexagon, cross. They form a very original whole, lit up overhead by an ovoid lantern and by side windows placed on the elliptical entablature. The dome is connected to the body of the building by four pendants.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).

As for all the antique prints in our catalogue, this optical view 10e. VUE D'OPTIQUE Representant l'Eglise de St. Carlin aux quatre fontaines a Rome - Prospectus Eccliesia Sancti Carlini ad quatuor fontes Romae. datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Church

Letters patent of the King - Louis XVI of France - 1789 - Conservation of Church Property | Caricature of the French Revolution | Letters patent of the King Louis XVI of France of the year 1789 with a large woodcut vignette

Letters patent of the King - Louis XVI of France - 1789 - Conservation of Church Property | Caricature of the French Revolution

Letters patent of the King Louis XVI of France of the year 1789 with a large woodcut vignette
Letters patent of the King - Louis XVI of France - 1790 - Debts of Church communities | The Tennis Court Oath (Jacques-Louis David) | Letters patent of the King Louis XVI of France of the year 1790 with a large woodcut vignette

Letters patent of the King - Louis XVI of France - 1790 - Debts of Church communities | The Tennis Court Oath (Jacques-Louis David)

Letters patent of the King Louis XVI of France of the year 1790 with a large woodcut vignette
Letters patent of the King - Louis XVI of France - 1790 - Vacancy in churches | Portrait of Georges Danton (Constance-Marie Charpentier) | Letters patent of the King Louis XVI of France of the year 1790 with a large woodcut vignette

Letters patent of the King - Louis XVI of France - 1790 - Vacancy in churches | Portrait of Georges Danton (Constance-Marie Charpentier)

Letters patent of the King Louis XVI of France of the year 1790 with a large woodcut vignette
Optical view of the St George's Church in Edinburgh (Scotland) | Early XIXth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1820

Optical view of the St George's Church in Edinburgh (Scotland)

Early XIXth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1820
Optical view of the St Cuthbert's Church in Edinburgh (Scotland) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of the St Cuthbert's Church in Edinburgh (Scotland)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

San Carlo alle Quattro Fontane

Optical view of San Carlo alle Quattro Fontane in Rome (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780

Optical view of San Carlo alle Quattro Fontane in Rome (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780

XVIIth Century

Historical Document on Parchment - Reign of Louis XIII of France - 1637 - France XVIIth Century | Historical handwritten document dated August 24th, 1637 and an original steel engraving

Historical Document on Parchment - Reign of Louis XIII of France - 1637 - France XVIIth Century

Historical handwritten document dated August 24th, 1637 and an original steel engraving
Historical Document on Parchment - Reign of Louis XIII of France - 1609 - France XVIIth Century | Historical handwritten document dated October 13th, 1609 and an original steel engraving after Robert Bonnart

Historical Document on Parchment - Reign of Louis XIII of France - 1609 - France XVIIth Century

Historical handwritten document dated October 13th, 1609 and an original steel engraving after Robert Bonnart
Historical Document on Parchment - Reign of Louis XIII of France - 1636 - France XVIIth Century | Historical handwritten document dated October 13th, 1636 and an original steel engraving after Robert Bonnart

Historical Document on Parchment - Reign of Louis XIII of France - 1636 - France XVIIth Century

Historical handwritten document dated October 13th, 1636 and an original steel engraving after Robert Bonnart
Historical Document on Parchment - Reign of Louis XIII of France - 1604 - France XVIIth Century | Historical handwritten document dated January 20th, 1604 and an original steel engraving

Historical Document on Parchment - Reign of Louis XIII of France - 1604 - France XVIIth Century

Historical handwritten document dated January 20th, 1604 and an original steel engraving
Historical Document on Parchment - Reign of Louis XIV of France - 1652 - France XVIIth Century | Historical handwritten document dated September 5th, 1652 and an original steel engraving after Robert Bonnart

Historical Document on Parchment - Reign of Louis XIV of France - 1652 - France XVIIth Century

Historical handwritten document dated September 5th, 1652 and an original steel engraving after Robert Bonnart
Historical Document on Parchment - Reign of Louis XIII of France - 1623 - France XVIIth Century | Historical handwritten document dated August 3rd, 1623 and Portrait of Nicolas Boileau

Historical Document on Parchment - Reign of Louis XIII of France - 1623 - France XVIIth Century

Historical handwritten document dated August 3rd, 1623 and Portrait of Nicolas Boileau