Original title
Vue de la Ville de Beaucaire dans le Bas Languedoc sur la rive droitte du Rosne vis-a-vis Tarascon, et de la fameuse Foire qui s'y tiens à la Magdelaine, c'est la plus considerable de toutte celle de France.
Mentions
A Paris chez Mondhare rue S. Jacques a l'Hotel Saumur
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1770, depicting a view of Beaucaire - Foire de la Madeleine (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Condition report
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Founded in the 7th century BC, Beaucaire was known as a city on the famous Via Domitia, the first Roman road built in Gaul linking Italy to Spain (121 BC.). At that time, Beaucaire was called Ugernum. This was where, after the capture of Rome by the Vandals in 455, the Gallo-Roman nobility met to elect Avitus as the new emperor.
The Middle Ages saw a slowdown in the expansion of the city. Beaucaire did not escape the troubles during this dark period. It underwent invasions of Burgundians, Visigoths, and Saracens. It was at that time that the first ramparts were built and the castle was expanded. The city took the name Beaucaire.
In the 13th century Louis IX made several trips to Beaucaire. The city was expanding and its population increasing. Despite the Hundred Years War and the Wars of Religion, the splendour and refinement of the architecture grew along with the wealth of the Beaucairois merchants. In 1579 Beaucaire was held by Henri I de Montmorency, the catholic governor of Languedoc, but tolerant. The captain of the city was Jean de Parabere who was soon to play his own game. Damville then provoked a riot to recover the city but even though Parabere was decapitated, the city remained in the hands of the Huguenots, thanks to reinforcements sent by François de Coligny, the son of Gaspard II de Coligny.
At the end of the Hundred Years War in 1453, Charles VII of France declared that Beaucaire would become the site of the Fair of la Madeleine, a commercial fair that would enable the trade of goods from all of the Mediterranean Basin countries to all of France. By the mid-seventeenth century, the Fair was the largest commercial fair in the Mediterranean region, allegedly exceeding in a week the total volume of trade done in Marseilles in a year. It remained the dominant Mediterranean trade fair until the arrival of the railway in the mid-nineteenth century.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).
As for all the antique prints in our catalogue, this optical view Vue de la Ville de Beaucaire dans le Bas Languedoc sur la rive droitte du Rosne vis-a-vis Tarascon, et de la fameuse Foire qui s'y tiens à la Magdelaine, c'est la plus considerable de toutte celle de France. datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
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