Vue Perspective du Pont, et de la Ville de Francfort.
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760, depicting a view of Frankfurt - Alte Brücke (Germany).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Find more artworks related to these topics :
Frankfurt am Main, on the River Main, is the largest city of the German federal state of Hesse.
Alte Brücke is the oldest bridge over the lower course of the river Main, and until 1886 it was the only stone bridge crossing the river.
On 22 July 1342, the most severe flood in Central Europe up to that date occurred. It is known as the St. Mary Magdalene's flood. In the course of the flood, the 1338 Chapel of St. Catherine and a bridge tower collapsed. These were both on the Sachsenhausen side of the Main, which was more strongly exposed to the water currents. Between the time of the flood until the Reformation, in the 16th century, an atonement procession from the Alte Brücke to the Weißfrauenkirche church was held annually on 22 July.
The bridge had a width of about 9 m, including the bridge parapet made of stone, which had been one foot wide each. The highest arch, when the water level was at a normal state, was about 8.50 m above the water. The horizontal clearance below the bridge, between two arches, had been between 7.50 m and 9 m. The street on top of the bridge was only about 4.70 m wide, just enough to allow passing of two vehicles next to each other.
At the end of the 17th, and at the beginning of the 18th century, the material condition of the bridge became increasingly worse over time. Again and again, floods and melted ice hit the bridge and damaged it, and repair attempts did not completely fix the problems. In 1739 the council then decided to completely rebuild the bridge. The construction was to be managed by Johann Friedrich von Uffenbach. Firstly, a temporary wooden bridge was created, which stood in good stead during the coronation of emperor Charles VII. The foundation for the new stone bridge was laid on 18 September 1741; the keystone was set on 14 September 1744.
In 1748, the bridge was paved; afterwards, it received a sandstone parapet. The portals on the path down to the Main island have been decorated by sandstone reliefs of the river god Moenus, and by two Kanonesteppels, a caricatural depiction of two artillerists. On 27 February 1784, the bridge was again damaged by melted ice.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 262 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view Vue Perspective du Pont, et de la Ville de Francfort. datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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