Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Mansion House in London (England )
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

18th Century optical view in original watercolors of Mansion House in London (England )
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
176018th Century
  • Date : circa 1760
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jean-François Daumont
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 28.0 x 41.0 cm
  • Plate : 22.0 x 38.0 cm
  • Inventory N° : FR-03328
500€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

39e Vue d'Optique Representant L'Hotel du Lord Maire de Londre - Palatium Praefecti urbis Londini

Mentions

A Paris chez Daumont rue St. Martin

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760, depicting a view of Mansion House in London (England ).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

Reconstructed margins

This strong water etching is listed in these categories :

Mansion House

Mansion House was built between the years of 1739 and 1752, in the Palladian style by the surveyor and architect George Dance the Elder. The site, at the east end of Poultry, London, had previously been occupied by the Stocks Market, which by the time of its closure was mostly used for the sale of herbs. The construction was prompted by a wish to put an end to the inconvenient practice of lodging the Lord Mayor in one of the City Halls. Dance won a competition over designs solicited from James Gibbs and Giacomo Leoni, and uninvited submissions by Batty Langley and Isaac Ware. Construction was slowed down by the discovery of springs on the site, which meant piles had to be sunk to lay adequate foundations.

The original building had two roof extensions, nicknamed the

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 261 years ago (around 1760).

As for all the antique prints in our catalogue, this optical view 39e Vue d'Optique Representant L'Hotel du Lord Maire de Londre - Palatium Praefecti urbis Londini datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations (& Switzerland) and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 6EUR for France, 8EUR for all EU destinations (& Switzerland) and 10EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

London

Optical view of Westminster Abbey in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1753

Optical view of Westminster Abbey in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1753
Optical view of St James's Park in London - Admiralty Extension (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760

Optical view of St James's Park in London - Admiralty Extension (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760
Optical view of the Church St Mary-le-Bow in London - Cheapsise (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750

Optical view of the Church St Mary-le-Bow in London - Cheapsise (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750
Optical view of Canal of St James's Park in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780

Optical view of Canal of St James's Park in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780
Optical view of the River Thames in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770

Optical view of the River Thames in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770
Optical view of London - Thames (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1760

Optical view of London - Thames (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1760

England

Optical view of Westminster Abbey in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1753

Optical view of Westminster Abbey in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1753
Optical view of Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
Optical view of St James's Park in London - Admiralty Extension (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760

Optical view of St James's Park in London - Admiralty Extension (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760
Optical view of the Church St Mary-le-Bow in London - Cheapsise (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750

Optical view of the Church St Mary-le-Bow in London - Cheapsise (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750
Optical view of Canal of St James's Park in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780

Optical view of Canal of St James's Park in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780
Optical view of the River Thames in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770

Optical view of the River Thames in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770

English

Optical view of the Naval combat between army of Nabad and the English - Bay of Bengal | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1770

Optical view of the Naval combat between army of Nabad and the English - Bay of Bengal

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1770
Napoleon receiving the fire of an English Frigate | Original steel engraving drawn by K. Girardet and A. Morel Fatio, engraved by J-J. Outhwaith. 1842

Napoleon receiving the fire of an English Frigate

Original steel engraving drawn by K. Girardet and A. Morel Fatio, engraved by J-J. Outhwaith. 1842
Shipwreck of an English East India Company Vessel - The Kent in Fire | Original steel engraving drawn by A. Jugelet after J.A. Gudin, engraved by Fortier. 1842

Shipwreck of an English East India Company Vessel - The Kent in Fire

Original steel engraving drawn by A. Jugelet after J.A. Gudin, engraved by Fortier. 1842
Shipwreck of the English Sailing Ship Woodrop Sims off the African Coasts | Original steel engraving drawn by A.L. Garneray, engraved by A. Rouargue. 1842

Shipwreck of the English Sailing Ship Woodrop Sims off the African Coasts

Original steel engraving drawn by A.L. Garneray, engraved by A. Rouargue. 1842