Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Temple at Baalbek (Lebanon)
Early XIXth century optical view in original watercolors. Original strong water etching on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1860

19th Century optical view in original watercolors of the Temple at Baalbek (Lebanon)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
186019th Century
  • Date : circa 1860
  • Century : 19th Century
  • Period : Napoleon III
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Basset
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 31.0 x 47.0 cm
  • Plate : 25.0 x 39.0 cm
  • Inventory N° : FR-03321
500€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Ruines du grand Temple de Balbec sur lesquelles les Turcs ont élevé des Tours

Mentions

A Paris chez Basset rue S. Jacques

Description

Early XIXth century optical view in original watercolors. Original strong water etching on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1860, depicting a view of the Temple at Baalbek (Lebanon).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • Lack of paper in the left margin
  • Foxing spots in the margins

This strong water etching is listed in these categories :

Baalbek

Baalbek is the ancient Heliopolis of the Romans.

Baalbek’s history dates back at least to the end of the 3rd millennium BC. Baalbek was a thriving Phoenician city where the worship of Baal was celebrated among the Phoenicians and Canaanites.

The ancient city, located in the north of the Bekaa plain, is made up of ruins from the Greco-Roman era, with older traces of the Semitic era.

The complex of three giant temples left by the Romans includes: The temple of Bacchus, The temple of Jupiter of which there remain six granite columns and the temple of Venus.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 164 years ago (around 1860).

As for all the antique prints in our catalogue, this optical view Ruines du grand Temple de Balbec sur lesquelles les Turcs ont élevé des Tours datant de 1860 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1860).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Baalbek

Optical view of the Temple at Baalbek (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chereau in Paris circa 1780

Optical view of the Temple at Baalbek (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chereau in Paris circa 1780
Optical view of the Portico of the Great Temple at Baalbek - Pl.5 (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760

Optical view of the Portico of the Great Temple at Baalbek - Pl.5 (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760
Optical view of the Ruins of the Great Temple at Baalbek - Pl.4 (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760

Optical view of the Ruins of the Great Temple at Baalbek - Pl.4 (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760
Optical view of the Ruins of the Great Temple at Baalbek (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Maillet in Paris circa 1760

Optical view of the Ruins of the Great Temple at Baalbek (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Maillet in Paris circa 1760
Art of the Ancient Occidental Asia - Baalbek Ruins -  Roman Epoch | Original heliogravure on art paper. Anonymous. 1920

Art of the Ancient Occidental Asia - Baalbek Ruins - Roman Epoch

Original heliogravure on art paper. Anonymous. 1920
Baalbek Ruins -  Roman Epoch- Atargatis Temple (Lebanon) | Original wood engraving drawn by Benoist. Hand watercolored. 1884

Baalbek Ruins - Roman Epoch- Atargatis Temple (Lebanon)

Original wood engraving drawn by Benoist. Hand watercolored. 1884

Lebanon

Optical view of the Temple at Baalbek (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chereau in Paris circa 1780

Optical view of the Temple at Baalbek (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chereau in Paris circa 1780
Optical view of the Portico of the Great Temple at Baalbek - Pl.5 (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760

Optical view of the Portico of the Great Temple at Baalbek - Pl.5 (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760
Optical view of the Ruins of the Great Temple at Baalbek - Pl.4 (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760

Optical view of the Ruins of the Great Temple at Baalbek - Pl.4 (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Peter Paul Benazech. Published by Robert Sayer in London circa 1760
Optical view of the Ruins of the Great Temple at Baalbek (Lebanon) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Maillet in Paris circa 1760

Optical view of the Ruins of the Great Temple at Baalbek (Lebanon)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Maillet in Paris circa 1760
Lebanon - Near East - Druze man | Original wood engraving after d'après photo. Anonymous. 1896

Lebanon - Near East - Druze man

Original wood engraving after d'après photo. Anonymous. 1896

Ancient Rome

Optical view of ancient Rome (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of ancient Rome (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of ancient Rome | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of ancient Rome

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
Optical view of colonnaded hall and statues of ancient Rome | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time after Piranesi. Published by Jean-François Daumont in Paris circa 1760

Optical view of colonnaded hall and statues of ancient Rome

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time after Piranesi. Published by Jean-François Daumont in Paris circa 1760
Optical view ofan obelisk of ancient Rome | Early XIXth century optical view in original watercolors. Original copper plate engraving heightened with watercolor at that time. Circa 1800

Optical view ofan obelisk of ancient Rome

Early XIXth century optical view in original watercolors. Original copper plate engraving heightened with watercolor at that time. Circa 1800
Optical view of ancient Rome (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1770

Optical view of ancient Rome (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1770