VUE DE L'EGLISE St. GEORGES A EDIMBOURG
Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830, depicting a view of the St George's Church in Edinburgh (Scotland).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Find more artworks related to these topics :
Two churches, St Andrew's and St George's, were planned as principal elements in the New Town of Edinburgh. James Craig's plan of 1767 for the First New Town laid out a grid pattern of streets reflecting classical order and rationalism. It was the age of the Scottish Enlightenment, and Edinburgh was becoming internationally renowned as the centre of new philosophy and thought. The two churches were intended to be built on Charlotte Square (originally to be named St George Square), at the west end of George Street, and St Andrew Square at the east end. However, Sir Lawrence Dundas, a wealthy businessman, preferred the eastern site for his home and bought the ground before Craig's plan could be implemented. St. Andrew's Church had to be built part-way along George Street, and its place was taken by Dundas House, designed by Sir William Chambers.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 192 years ago (around 1830).
As for all the antique prints in our catalogue, this optical view VUE DE L'EGLISE St. GEORGES A EDIMBOURG datant de 1830 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1830).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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