32e. Vue d'Optique Representant les Boulvards de Paris pris du grand Caffé près le Réservoir de la Ville - Prospectus Majoris deambulatorii vulgo dicti Boulvard a Majori loco Caffé prope urbis publicum aquarum receptaculum Parisiis
A Paris chez Daumont rue St Martin
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760, depicting a view of Grands Boulevards near the Grand Caffé in Paris (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Find more artworks related to these topics :
Boulevards of Paris are boulevards which form an important part of the urban landscape of Paris. The boulevards were constructed in several phases by central government initiative as infrastructure improvements, but are very much associated with strolling and leisurely enjoyment in the minds of Parisians.
The Grands Boulevards correspond to the Nouveau Cours built between 1668 and 1705 in place of the dismantled Louis XIII wall. The boulevards of Louis XIV were conceived by Pierre Bullet to link the Porte Saint-Antoine to the Porte Saint-Honoré .
Parisians made the boulevards into promenades which have remained popular through the ages and changes in the city.
The Boulevard des Filles-du-Calvaire was part of the boulevard de la Porte-Saint-Antoine, before taking the name of the neighboring street.
The daughters of Calvary or Bénédictines de Notre-Dame du Calvaire are a religious congregation of the Benedictine family founded in 1617 by Antoinette d'Orléans-Longueville and the French reformist Capuchin, François Leclerc du Tremblay, in religion Father Joseph. This way is part of the courtyards which were formed, from 1670, on the site of the rampart and the ditch of the enclosure of Charles V.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 262 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view 32e. Vue d'Optique Representant les Boulvards de Paris pris du grand Caffé près le Réservoir de la Ville - Prospectus Majoris deambulatorii vulgo dicti Boulvard a Majori loco Caffé prope urbis publicum aquarum receptaculum Parisiis datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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