1ere Nouvelle vüe d'Optique, representant une partie de la Ville de Londres prise du fauxbourg de St. Octave sur la Thamise
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760, depicting a view of London (England).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Stains in the margins
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With the collapse of Roman rule in the early 5th century, London ceased to be a capital, and the walled city of Londinium was effectively abandoned, although Roman civilisation continued in the area of St Martin-in-the-Fields until around 450. From around 500, an Anglo-Saxon settlement known as Lundenwic developed slightly west of the old Roman city. By about 680, the city had regrown into a major port, although there is little evidence of large-scale production. From the 820s repeated Viking assaults brought decline. Three are recorded; those in 851 and 886 succeeded, while the last, in 994, was rebuffed.
The Lancastrian siege of London in 1471 is attacked by a Yorkist sally The Vikings established Danelaw over much of eastern and northern England; its boundary stretched roughly from London to Chester. It was an area of political and geographical control imposed by the Viking incursions which was formally agreed by the Danish warlord, Guthrum and the West Saxon king Alfred the Great in 886. The Anglo-Saxon Chronicle recorded that Alfred
The Galerie Napoléon is pleased to propose to you this strong water etching printed 262 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view 1ere Nouvelle vüe d'Optique, representant une partie de la Ville de Londres prise du fauxbourg de St. Octave sur la Thamise datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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