Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Grand Café Alexandre on boulevard du Temple in Paris (France)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

18th Century optical view in original watercolors of Grand Café Alexandre on boulevard du Temple in Paris (France)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
177018th Century
  • Date : circa 1770
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Lachaussée, Daumont & Basset
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 37.0 x 54.0 cm
  • Plate : 30.0 x 39.0 cm
  • Inventory N° : FR-03228
600€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

35e VUE D'OPTIQUE Representant le Grand Caffé d'Alexandre sur les Boulvards de Paris - Major Taberna Caffé Alexandri in Majori Ambulatorio Lutoetioe vulgo boulvard

Mentions

  • Présentement chés Lachaussée rue S. Jacques
  • A Paris chez Daumont rue St Martin
  • Et Présentement chez Basset rue St Jacques au coin de celle des Mathurins. Tient Fabrique de Papiers.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770, depicting a view of Grand Café Alexandre on boulevard du Temple in Paris (France).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Museums & Archives

The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : 35e vue d'optique representant le grand caffé d'alexandre sur les boulvards de paris - major taberna caffé alexandri in majori ambulatorio lutoetioe vulgo boulvard

Condition report

Good state

This strong water etching is listed in these categories :

Boulevard du Temple

The Boulevard du Temple follows the path of the city wall constructed by Charles V and demolished under Louis XIV. The boulevard, lined with trees, was built between 1656 and 1705.

From the time of Louis XVI until the July Monarchy in 1830, the Boulevard du Temple was popular and fashionable. It was a place for walking and recreation.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).

As for all the antique prints in our catalogue, this optical view 35e VUE D'OPTIQUE Representant le Grand Caffé d'Alexandre sur les Boulvards de Paris - Major Taberna Caffé Alexandri in Majori Ambulatorio Lutoetioe vulgo boulvard datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Coffeehouse

Scene of the everyday life - Repose of Travelers in the Coffeehouse (India) | Original steel engraving. Anonymous. Hand watercolored. 1845

Scene of the everyday life - Repose of Travelers in the Coffeehouse (India)

Original steel engraving. Anonymous. Hand watercolored. 1845
Coffeehouse - Estaminet in Brussels (Belgium) | Original wood engraving drawn by J. de La Hoëse, engraved by Barbant. Hand watercolored. 1881

Coffeehouse - Estaminet in Brussels (Belgium)

Original wood engraving drawn by J. de La Hoëse, engraved by Barbant. Hand watercolored. 1881
Coffeehouse in Sivrihisar - Anatolia - Asia Minor (Turkey) | Original wood engraving drawn by Grandsire after Dauzats, engraved by Gusmand. 1885

Coffeehouse in Sivrihisar - Anatolia - Asia Minor (Turkey)

Original wood engraving drawn by Grandsire after Dauzats, engraved by Gusmand. 1885

Show

Decree - Louis XVI of France - 1791 - Shows | Portrait of Louis Charles Antoine Desaix (1768-1800) | Decree N°426 of the National Assembly with a large woodcut vignette dated 13 Janvier 1791

Decree - Louis XVI of France - 1791 - Shows | Portrait of Louis Charles Antoine Desaix (1768-1800)

Decree N°426 of the National Assembly with a large woodcut vignette dated 13 Janvier 1791
View of Paris - Historical Monuments of Paris - Agricultural Show - Market in Poissy | Original wood engraving drawn by R. Bonheur, engraved by L. Marais. 1867

View of Paris - Historical Monuments of Paris - Agricultural Show - Market in Poissy

Original wood engraving drawn by R. Bonheur, engraved by L. Marais. 1867
Female Nude - Erotica - Curiosa - Danae Receiving the Shower of Gold (Paolo Veronese) | Original erotic print in collotype after Paolo Veronese. Anonymous. 1898

Female Nude - Erotica - Curiosa - Danae Receiving the Shower of Gold (Paolo Veronese)

Original erotic print in collotype after Paolo Veronese. Anonymous. 1898
Dante's Hell 30 - Gustave Doré - The Divine Comedy - Styx - Virgil Shows Dante the Souls of the Wrathful | Original wood engraving on thin paper chine drawn by Gustave Doré, engraved by Piaud. 1860

Dante's Hell 30 - Gustave Doré - The Divine Comedy - Styx - Virgil Shows Dante the Souls of the Wrathful

Original wood engraving on thin paper chine drawn by Gustave Doré, engraved by Piaud. 1860
Monk Beggar Showing Relics in Mola di Gaeta (Italy) | Original wood engraving drawn by Gustave Janet, engraved by Verdeil. Hand watercolored. 1865

Monk Beggar Showing Relics in Mola di Gaeta (Italy)

Original wood engraving drawn by Gustave Janet, engraved by Verdeil. Hand watercolored. 1865
Voyage of James Cook - HMS Endeavour - New Holland - A Native Shows his Gifts - Indigenous Australians (Australia) | Original steel engraving drawn by Lalaisse, engraved by Rocca. Hand watercolored. 1850

Voyage of James Cook - HMS Endeavour - New Holland - A Native Shows his Gifts - Indigenous Australians (Australia)

Original steel engraving drawn by Lalaisse, engraved by Rocca. Hand watercolored. 1850