Bourse ou Loge des Changes a Lyon
A Paris chez Daumont rue St Martin
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760, depicting a view of Exchange Loge du Change in Lyons (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The MUCEM : Musée des civilisations de l'Europe et de la Méditerranée (Marseille, France) owns a copy of this optical view in its collections. For more details on this print please consult the site : Bourse ou loge des changes a lyon
Find more artworks related to these topics :
Loge du Change, formerly used for the stock exchange of Lyon, stands in Vieux Lyon.
The first Loge du Change was a small classical building with four arches in front and two on each side. It soon became insufficient for Lyon's money exchange, but was not renovated before 1748.
Soufflot provided plans and elevations for its repair, performed by Jean-Baptiste Roche, an architect he had himself introduced. The flanking terraced houses were torn down, which provided the opportunity to significantly enlarge the building, which has a fifth arch in front, providing, instead of a central pier, a central bay as classical usage demands. Behind the façade rises a large room, as high and wide as the building. It is rectangular with an imperial-styled roof supported on four massive pillars. The first-floor facade was completely rebuilt in Soufflot's uncompromising neoclassical style, unusual for the epoch.
The Loge was assigned by Napoleon to the Protestants in 1803.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 262 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view Bourse ou Loge des Changes a Lyon datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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