Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Choir of St Paul's Cathedral in London (England)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

18th Century optical view in original watercolors of the Choir of St Paul's Cathedral in London (England)
Free Passepartout (available in 23 shades)
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177018th Century
  • Date : circa 1770
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Lachaussée, Daumont & Basset
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 30.0 x 44.0 cm
  • Plate : 28.0 x 41.0 cm
  • Inventory N° : FR-03150
500€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

66e Le Choeur de la Cathédrale de St Paul de Londres

Mentions

  • Présentement chés Lachaussée rue S. Jacques
  • à Paris chés Daumont.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770, depicting a view of the Choir of St Paul's Cathedral in London (England).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • Handwritten title in the left margin
  • Good state

This strong water etching is listed in these categories :

St Paul's Cathedral in London

Following the fire of 1666, the reconstruction of an equally impressive building was essential. This task was entrusted to Sir Christopher Wren on July 30, 16693. The plan of the present cathedral in Latin cross was the third project that Wren presented to the Anglican clergy after this one had rejected the first two: first a central plan in Greek cross with dome which King Charles II had nevertheless approved in 1670, then a plan in the form of an enormous Roman temple.

The first stone was laid on June 21, 1675, the choir opened to the public on December 2, 1697 , the last stone crowned the building in 1710, thirty-five years after the start of its construction. Wren was assisted in his task by his faithful assistant, the architect and mathematician Robert Hooke, as well as by the sculptor Grinling Gibbons for the stalls and the carved pediment of the northern transept, and the ironworker of French origin Jean Tijou.

Wren Cathedral is a mixture of classical and Baroque architecture. Its dome, with a total weight of 65,000 tonnes, was composed with three nested envelopes, and its bell towers designed to dominate the entire city. The top of the dome, which can be reached by climbing 528 steps, rises to 111.3 meters in height.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).

As for all the antique prints in our catalogue, this optical view 66e Le Choeur de la Cathédrale de St Paul de Londres datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

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Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

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St Paul's Cathedral

Optical view of St Paul's Cathedral in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1760

Optical view of St Paul's Cathedral in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1760
Optical view of St Paul's Cathedral in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Nicolas-Jean-Baptiste de Poilly. Published by Nicolas-Jean-Baptiste de Poilly & Jean-François Daumont in Paris circa 1760

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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time engraved by Nicolas-Jean-Baptiste de Poilly. Published by Nicolas-Jean-Baptiste de Poilly & Jean-François Daumont in Paris circa 1760
Optical view of the Choir of St Paul's Cathedral in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of the Choir of St Paul's Cathedral in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
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Optical view of the Choir of St Paul's Cathedral in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée & Daumont in Paris circa 1770
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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
View of London - England - St Paul's Cathedral (United Kingdom ) | Original wood engraving. Anonymous. Extract of the first edition of Voyage en Europe du Nord. Narrow margins. 1892

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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760
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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750
Optical view of Canal of St James's Park in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780

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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1780
Optical view of the River Thames in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770

Optical view of the River Thames in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Circa 1770