Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Hôtel des Invalides in Paris (France)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

18th Century optical view in original watercolors of Hôtel des Invalides in Paris (France)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
178018th Century
  • Date : circa 1780
  • Century : 18th Century
  • Period : Louis XVI
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jacques Chéreau
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 34.0 x 52.0 cm
  • Plate : 29.0 x 40.0 cm
  • Inventory N° : FR-03100
600€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Vue perspective du Refectoire de l'Hôtel Royal des Invalides a Paris

Mentions

A Paris chez J. Chereau rue St Jacques au dessus de la Fontaine St Severin aux 2 Colonnes n° 257

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780, depicting a view of Hôtel des Invalides in Paris (France).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Museums & Archives

The Musée de l'Armée (Paris, France) owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective du refectoire de l'hôtel royal des invalides a paris

Condition report

Very good state

This strong water etching is listed in these categories :

Dôme des Invalides

Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The selected site was in the then suburban plain of Grenelle.

The Dôme des Invalides, originally Chapelle royale des Invalides, is a large former church in the centre of the Les Invalides complex.

The dôme was designated to become Napoleon's funeral place by a law dated 10 June 1840. Ousted in 1815 by the allied armies, Napoleon had stayed so popular in France that Louis-Philippe, the King of France from 1830 to 1848, returned his ashes - mortal remains because Napoleon was not cremated -, in 1840. The excavation and erection of the crypt, which heavily modified the interior of the domed church, took twenty years to complete and was finished in 1861.

Inspired by St. Peter's Basilica in Rome, the original for all baroque domes, the Dôme des Invalides is one of the triumphs of French Baroque architecture. Mansart raised its drum with an attic storey over its main cornice, and employed the paired columns motif in his more complicated rhythmic theme. The general programme is sculptural but tightly integrated, rich but balanced, consistently carried through, capping its vertical thrust firmly with a ribbed and hemispherical dome. The domed chapel is centrally placed to dominate the court of honour.

The interior of the dome was painted by Le Brun's disciple Charles de La Fosse. The painting was completed in 1705.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 244 years ago (around 1780).

As for all the antique prints in our catalogue, this optical view Vue perspective du Refectoire de l'Hôtel Royal des Invalides a Paris datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Hôtel des Invalides

Optical view of Hôtel des Invalides - Paris (France) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of Hôtel des Invalides - Paris (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
Optical view of Hôtel des Invalides in Paris (France) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of Hôtel des Invalides in Paris (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
Optical view of the Refectory of the Hôtel des Invalides in Paris (France)  | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780

Optical view of the Refectory of the Hôtel des Invalides in Paris (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780
View of Paris - Hôtel des Invalides | Original copper engraving drawn by Christophe Civeton, Couché fils direxit. 1825

View of Paris - Hôtel des Invalides

Original copper engraving drawn by Christophe Civeton, Couché fils direxit. 1825
View of Paris - Hôtel des Invalides - World Fair - Universal Exposition - Industry - 1798 | Original steel engraving drawn by Danvin, engraved by Mercier. Hand watercolored. 1835

View of Paris - Hôtel des Invalides - World Fair - Universal Exposition - Industry - 1798

Original steel engraving drawn by Danvin, engraved by Mercier. Hand watercolored. 1835
View of Paris - Hôtel des Invalides | Original copper engraving engraved by Couché fils. Hand watercolored. 1818

View of Paris - Hôtel des Invalides

Original copper engraving engraved by Couché fils. Hand watercolored. 1818

Paris

French Revolution - Journal de Paris - Thursday, June 25, 1789 | Bicentennial of the French Revolution | Journal de Paris N°176, newspaper dated Thursday, June 25, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, June 25, 1789 | Bicentennial of the French Revolution

Journal de Paris N°176, newspaper dated Thursday, June 25, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Friday, June 5, 1789 | French Republican Calendar - Pluviose | Journal de Paris N°156, newspaper dated Friday, June 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Friday, June 5, 1789 | French Republican Calendar - Pluviose

Journal de Paris N°156, newspaper dated Friday, June 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Saturday, June 6, 1789 | French Republican Calendar - Ventôse | Journal de Paris N°157, newspaper dated Saturday, June 6, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Saturday, June 6, 1789 | French Republican Calendar - Ventôse

Journal de Paris N°157, newspaper dated Saturday, June 6, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Thursday, June 4, 1789 | French Republican Calendar - Germinal | Journal de Paris N°155, newspaper dated Thursday, June 4, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, June 4, 1789 | French Republican Calendar - Germinal

Journal de Paris N°155, newspaper dated Thursday, June 4, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Wednesday, April 28, 1790 | French Republican Calendar - Floréal | Journal de Paris N°118, newspaper dated Wednesday, April 28, 1790. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1790.

French Revolution - Journal de Paris - Wednesday, April 28, 1790 | French Republican Calendar - Floréal

Journal de Paris N°118, newspaper dated Wednesday, April 28, 1790. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1790.
French Revolution - Journal de Paris - Thursday, April 29, 1790 | French Republican Calendar - Prairial | Journal de Paris N°119, newspaper dated Thursday, April 29, 1790. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1790.

French Revolution - Journal de Paris - Thursday, April 29, 1790 | French Republican Calendar - Prairial

Journal de Paris N°119, newspaper dated Thursday, April 29, 1790. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1790.