Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Temple of Jupiter in Athens (Greece)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

18th Century optical view in original watercolors of the Temple of Jupiter in Athens (Greece)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
178018th Century
  • Date : circa 1780
  • Century : 18th Century
  • Period : Louis XVI
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jacques Chéreau
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 34.0 x 52.0 cm
  • Plate : 27.0 x 38.0 cm
  • Inventory N° : FR-03064
600€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Ruine du Temple de Jupiter Olimpien à Athênes - les Turcs en font aujourd'huy une ruë qui leur sert de Marché aux fruits et aux legumes.

Mentions

A Paris chez J. Chereau rue St Jacques au dessus de la Fontaine St Severin aux 2 colonnes n° 257

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780, depicting a view of the Temple of Jupiter in Athens (Greece).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

  • Fold mark in the lower margin
  • Fold mark in the top margin

This strong water etching is listed in these categories :

Jupiter

Jupiter also known as Jove, is the god of the sky and thunder and king of the gods in Ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire.

Jupiter is usually thought to have originated as an aerial god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army. The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt.

The Romans regarded Jupiter as the equivalent of the Greek Zeus, and in Latin literature and Roman art, the myths and iconography of Zeus are adapted under the name Iuppiter. In the Greek-influenced tradition, Jupiter was the brother of Neptune and Pluto, the Roman equivalents of Poseidon and Hades respectively.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 241 years ago (around 1780).

As for all the antique prints in our catalogue, this optical view Ruine du Temple de Jupiter Olimpien à Athênes - les Turcs en font aujourd'huy une ruë qui leur sert de Marché aux fruits et aux legumes. datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations (& Switzerland) and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 6EUR for France, 8EUR for all EU destinations (& Switzerland) and 10EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Jupiter

Zeus - Jupiter and Antiope (Antonio da Correggio) | Original helio-engraving on vellum paper after Antonio da Correggio. Anonymous. 1910

Zeus - Jupiter and Antiope (Antonio da Correggio)

Original helio-engraving on vellum paper after Antonio da Correggio. Anonymous. 1910
Female Nude - Erotica - Curiosa - Jupiter and Antiope (Titian - Tiziano Vecellio) | Original erotic print in collotype after Tiziano Vecellio. Anonymous. 1898

Female Nude - Erotica - Curiosa - Jupiter and Antiope (Titian - Tiziano Vecellio)

Original erotic print in collotype after Tiziano Vecellio. Anonymous. 1898
Female Nude - Erotica - Curiosa - Jupiter and Antiope (Peter Paul Rubens) | Original erotic print in collotype after Peter Paul Rubens. Anonymous. 1898

Female Nude - Erotica - Curiosa - Jupiter and Antiope (Peter Paul Rubens)

Original erotic print in collotype after Peter Paul Rubens. Anonymous. 1898
Female Nude - Erotica - Curiosa - Zeus - Jupiter and Io (Correggio) | Original erotic print in collotype after Correggio. Anonymous. 1898

Female Nude - Erotica - Curiosa - Zeus - Jupiter and Io (Correggio)

Original erotic print in collotype after Correggio. Anonymous. 1898

Greece

Optical view of Iraklion Island - Crete (Greece) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Iraklion Island - Crete (Greece)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Genre scene, Costume and Tradition of the World : The Greek (Greece) | Steel engraving drawn by E. Lorsay, engraved by E. Leroux. 1892

Genre scene, Costume and Tradition of the World : The Greek (Greece)

Steel engraving drawn by E. Lorsay, engraved by E. Leroux. 1892

Athens

The School of Athens (Raffaello Sanzio called Raphael) | Original helio-engraving on vellum paper after Raphael Sanzio. Anonymous. 1910

The School of Athens (Raffaello Sanzio called Raphael)

Original helio-engraving on vellum paper after Raphael Sanzio. Anonymous. 1910
Ancient Greece - Erechtheum - Acropolis of Athens (Greece) | Original wood engraving drawn by T. Taylor, engraved by Charles Barbant. 1875

Ancient Greece - Erechtheum - Acropolis of Athens (Greece)

Original wood engraving drawn by T. Taylor, engraved by Charles Barbant. 1875
St Paul Preaching in Athens (Raffaello Sanzio called Raphael) | Original strong water after Raffaello Sanzio engraved by Réveil. 1872

St Paul Preaching in Athens (Raffaello Sanzio called Raphael)

Original strong water after Raffaello Sanzio engraved by Réveil. 1872