Galerie
Napoléon
- Paris - Collection of the Prints & Drawings

Saint Peter crying (Carlo Dolci)
Original strong water etching drawn by Calendi, engraved by Benucci after Carlo Dolci. 1837

1837XIXth Century
  • Date : 1837
  • Century : 19th Century
  • Period : Louis-Philippe Ier
  • Technique : Strong water etching
  • Support : Thick paper
  • Sheet : 42.5 x 31.5 cm
  • Plate : 22.7 x 15.8 cm
  • Inventory N° : FR-41968
300€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Title

Saint Peter crying (Carlo Dolci)

Description

Original strong water etching drawn by Calendi, engraved by Benucci after Carlo Dolci. 1837

The Galerie Napoléon is pleased to propose to you this strong water etching printed 187 years ago (in 1837).

As for all the artworks of our collections, this strong water etching Saint Peter crying (Carlo Dolci) dating from 1837 is dispatched worldwide within 24H in a secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists draughtsman, engraver, lithographer), the impression process used (Strong water etching) and its date (1837).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH).

The collection

This artwork is part of a collection of 143 strong water etchings entitled « Masterpieces of Italian Painting in Florence - Galleria Palatina - Palazzo Pitti - Galleria degli Uffizi »

Find more artworks related to these topics :

This strong water etching is listed in these categories :

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Saint Peter

Optical view of Saint Peter's Square in Roma (Vatican City) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770

Optical view of Saint Peter's Square in Roma (Vatican City)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1770
Optical view of Axarienne Garden in Saint Petersburg (Russia) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760

Optical view of Axarienne Garden in Saint Petersburg (Russia)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760
Optical view of the Square in Saint Petersburg (Russia) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1760

Optical view of the Square in Saint Petersburg (Russia)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Louis-Joseph Mondhare in Paris circa 1760
Optical view of the Fontanka River in Saint Petersburg (Russia) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of the Fontanka River in Saint Petersburg (Russia)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Optical view of the Neva River in Saint Petersburg (Russia) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Optical view of the Neva River in Saint Petersburg (Russia)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770

Rock

Beeston Rock & Castle - Cheshire  (England) | Original copper engraving drawn by Sir Richard Lolt Hoare, engraved by J. Storer. 1805

Beeston Rock & Castle - Cheshire (England)

Original copper engraving drawn by Sir Richard Lolt Hoare, engraved by J. Storer. 1805
The Arched Rock - Lulworth - Dorsetshire  (England) | Original copper engraving drawn by J.W. Upham, engraved by A. Birrel. 1805

The Arched Rock - Lulworth - Dorsetshire (England)

Original copper engraving drawn by J.W. Upham, engraved by A. Birrel. 1805
St Vincent's Rock - Clifton - Glocestershire  (England) | Original copper engraving drawn by F. Nicholson, engraved by J. Storer. 1806

St Vincent's Rock - Clifton - Glocestershire (England)

Original copper engraving drawn by F. Nicholson, engraved by J. Storer. 1806
Mythology - Italian Renaissance - The Tale of Cupid and Psyche (Eros) : Psyche Led to the Rock (Raffaello Sanzio called Raphael) | Original line-engraving on copper engraved by C.J. Normand after R. Sanzio (Raphael). 1805

Mythology - Italian Renaissance - The Tale of Cupid and Psyche (Eros) : Psyche Led to the Rock (Raffaello Sanzio called Raphael)

Original line-engraving on copper engraved by C.J. Normand after R. Sanzio (Raphael). 1805
Painting on Rock in Cogul - Cave Painting in Cueva of Vieja - Alpera (Spain) | Original helio-engraving on vellum paper. Anonymous. 1910

Painting on Rock in Cogul - Cave Painting in Cueva of Vieja - Alpera (Spain)

Original helio-engraving on vellum paper. Anonymous. 1910
Otouri and Oupa Parou -  Piha Rock Basalt Tahiti | Original steel engraving drawn by Jules Boilly. 1834

Otouri and Oupa Parou - Piha Rock Basalt Tahiti

Original steel engraving drawn by Jules Boilly. 1834

Tears

Mythology - Fresco - Pallas Tears the Adolescent away from Venus (Pietro da Cortona) | Original helio-engraving on vellum paper after Pietro da Cortona. Anonymous. 1910

Mythology - Fresco - Pallas Tears the Adolescent away from Venus (Pietro da Cortona)

Original helio-engraving on vellum paper after Pietro da Cortona. Anonymous. 1910
Ancient Rome - Funerary Urns - Tears | Original copper engraving engraved by Varin. 1773

Ancient Rome - Funerary Urns - Tears

Original copper engraving engraved by Varin. 1773
Sophocles (495 av.J.-C.-406 av.J.-C) - Oedipus Rex - Jocasta's tears and escape | Original heliogravure on ivory paper after David d'Angers. 1905

Sophocles (495 av.J.-C.-406 av.J.-C) - Oedipus Rex - Jocasta's tears and escape

Original heliogravure on ivory paper after David d'Angers. 1905
Sophocles (495 av.J.-C.-406 av.J.-C) - Oedipus Rex - Jocasta's tears and escape | Original heliogravure on ivory paper after David d'Angers. 1905

Sophocles (495 av.J.-C.-406 av.J.-C) - Oedipus Rex - Jocasta's tears and escape

Original heliogravure on ivory paper after David d'Angers. 1905
Dante - Tears - Beatrice (Marcel Rieder) | Original heliogravure on vellum paper after Rieder. 1950

Dante - Tears - Beatrice (Marcel Rieder)

Original heliogravure on vellum paper after Rieder. 1950

Carlo Dolci

Virgin Mary - Madonna (Carlo Dolci) - Saint Francis of Assisi (Pier Francesco Mazzucchelli or il Morazzone) | Original helio-engraving on vellum paper after Carlo Dolci & Il Morazzone. Anonymous. 1910

Virgin Mary - Madonna (Carlo Dolci) - Saint Francis of Assisi (Pier Francesco Mazzucchelli or il Morazzone)

Original helio-engraving on vellum paper after Carlo Dolci & Il Morazzone. Anonymous. 1910
Galleria Borghese - Madonna - The Virgin and Child Jesus (Carlo Dolci) | Original heliogravure after Carlo Dolci. Anonymous. 1936

Galleria Borghese - Madonna - The Virgin and Child Jesus (Carlo Dolci)

Original heliogravure after Carlo Dolci. Anonymous. 1936
The Virgin and Child (Carlo Dolci) | Original strong water etching drawn by Floridi, engraved by Mancion after Carlo Dolci. 1837

The Virgin and Child (Carlo Dolci)

Original strong water etching drawn by Floridi, engraved by Mancion after Carlo Dolci. 1837
Passion of Jesus Christ - Garden of Gethsemane - Mount of Olives (Carlo Dolci) | Original strong water etching drawn by Bonajuti, engraved by Bonajuti after Dolci. 1837

Passion of Jesus Christ - Garden of Gethsemane - Mount of Olives (Carlo Dolci)

Original strong water etching drawn by Bonajuti, engraved by Bonajuti after Dolci. 1837