Original title
Vüe du Monument erigé en Memoire du funeste Incendie de l'an 1666 a Londres - A View of the Monument erected in Memory of the dread full Fire in the Year 1666. London - Viso del Monumento fabricato per Memoria del Incendio tragico del anno 1666. a Londra. - Prospect der Säule erbauet zum Gedächtaus des Unglücklichen Brands in Jahr 1666 zu Londen
Mentions
Median fol. N°11
J.F. Leizel fec.
Georg Balthasar Probst excud. A.V.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time engraved by Johann Friedrich Leizelt. Published by Georg Balthasar Probst in Augsburg circa 1760, depicting a view of the Monument to the Great Fire of London (England).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Condition report
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This strong water etching is listed in these categories :
The Monument to the Great Fire of London, more commonly known simply as the Monument, is a Doric column in London, United Kingdom, situated near the northern end of London Bridge. Commemorating the Great Fire of London, it stands at the junction of Monument Street and Fish Street Hill, 62m in height and 202 feet west of the spot in Pudding Lane where the Great Fire started on 2 September 1666. Constructed between 1671 and 1677, it was built on the site of St. Margaret's, Fish Street, the first church to be destroyed by the Great Fire. It is Grade I listed and is a scheduled monument. Another monument, the Golden Boy of Pye Corner, marks the point near Smithfield where the fire was stopped.
The Monument comprises a fluted Doric column built of Portland stone topped with a gilded urn of fire. It was designed by Christopher Wren and Robert Hooke. Its height marks its distance from the site of the shop of Thomas Farriner, the king's baker, where the blaze began.
The viewing platform near the top of the Monument is reached by a narrow winding staircase of 311 steps. A mesh cage was added in the mid-19th century to prevent people jumping to the ground, after six people had committed suicide there between 1788 and 1842.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 265 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view Vüe du Monument erigé en Memoire du funeste Incendie de l'an 1666 a Londres - A View of the Monument erected in Memory of the dread full Fire in the Year 1666. London - Viso del Monumento fabricato per Memoria del Incendio tragico del anno 1666. a Londra. - Prospect der Säule erbauet zum Gedächtaus des Unglücklichen Brands in Jahr 1666 zu Londen datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 21 shades.
This option will be offered to you free of charge in the cart.
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