Galerie
Napoléon
- Paris - Collection of the Prints & Drawings

Nativity of Jesus - Joseph, Mary and the Jesus Child in the Cattle Shed in Bethlehem (Raphael - Raffaello Sanzio)
Original copper engraving after Raphael engraved by Le Bas. 1844

1844XIXth Century
  • Date : 1844
  • Century : 19th Century
  • Period : Louis-Philippe Ier
  • Technique : Copper engraving
  • Support : Vellum paper
  • Sheet : 32.0 x 23.0 cm
  • Plate : 21.0 x 10.5 cm
  • Inventory N° : FR-30437
90€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Title

Nativity of Jesus - Joseph, Mary and the Jesus Child in the Cattle Shed in Bethlehem (Raphael - Raffaello Sanzio)

Description

Original copper engraving after Raphael engraved by Le Bas. 1844

The Galerie Napoléon is pleased to propose to you this copper engraving printed 180 years ago (in 1844).

As for all the artworks of our collections, this copper engraving Nativity of Jesus - Joseph, Mary and the Jesus Child in the Cattle Shed in Bethlehem (Raphael - Raffaello Sanzio) dating from 1844 is dispatched worldwide within 24H in a secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists draughtsman, engraver, lithographer), the impression process used (Copper engraving) and its date (1844).

In order to guarantee a perfect conservation in time, this copper engraving is dispatched, ready to be framed, under color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH).

The collection

This artwork is part of a collection of 310 copper engravings entitled « Italian Renaissance : Raphael (Raffaello Sanzio) »

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Joseph

French Revolution - Journal de Paris - Wednesday, July 1, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court) | Journal de Paris N°182, newspaper dated Wednesday, July 1, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Wednesday, July 1, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court)

Journal de Paris N°182, newspaper dated Wednesday, July 1, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Thursday, August 13, 1789 | Portrait of Jean-Paul Marat (Joseph Boze) | Journal de Paris N°225, newspaper dated Thursday, August 13, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, August 13, 1789 | Portrait of Jean-Paul Marat (Joseph Boze)

Journal de Paris N°225, newspaper dated Thursday, August 13, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Friday, August 28, 1789 | Portrait of Emmanuel-Joseph Sieyès (1748-1836) | Journal de Paris N°240, newspaper dated Friday, August 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Friday, August 28, 1789 | Portrait of Emmanuel-Joseph Sieyès (1748-1836)

Journal de Paris N°240, newspaper dated Friday, August 28, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Saturday, September 5, 1789 | Portrait of Emmanuel-Joseph Sieyès (1748-1836) | Journal de Paris N°248, newspaper dated Saturday, September 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Saturday, September 5, 1789 | Portrait of Emmanuel-Joseph Sieyès (1748-1836)

Journal de Paris N°248, newspaper dated Saturday, September 5, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Thursday, September 24, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court) | Journal de Paris N°267, newspaper dated Thursday, September 24, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Thursday, September 24, 1789 | Portrait of Gilbert du Motier de La Fayette (Joseph-Désiré Court)

Journal de Paris N°267, newspaper dated Thursday, September 24, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.
French Revolution - Journal de Paris - Sunday, September 27, 1789 | Portrait of Napoléon (Joseph Chabord) | Journal de Paris N°270, newspaper dated Sunday, September 27, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

French Revolution - Journal de Paris - Sunday, September 27, 1789 | Portrait of Napoléon (Joseph Chabord)

Journal de Paris N°270, newspaper dated Sunday, September 27, 1789. Original document printed on watermarked laid paper by the Imprimerie de Quillau, Rue du Fouarre at Paris in 1789.

Jesus

Marble sculpture of the Virgin Mary and the infant Jesus by Eugène Andre Oudine (Paul Flandrin) | Original litograph drawn by Gsep after P. Flandrin, printed by Grégoire & Deneux. 1842

Marble sculpture of the Virgin Mary and the infant Jesus by Eugène Andre Oudine (Paul Flandrin)

Original litograph drawn by Gsep after P. Flandrin, printed by Grégoire & Deneux. 1842
Biblical scene : The Agony of Jesus in Gethsemane, The Garden of Olives (Alexandre Cabanel) | Original lithograph drawn by J. Laurens after A. Cabanel, printed by Grégoire & Deneux. 1844

Biblical scene : The Agony of Jesus in Gethsemane, The Garden of Olives (Alexandre Cabanel)

Original lithograph drawn by J. Laurens after A. Cabanel, printed by Grégoire & Deneux. 1844
Ignatius of Loyola, founder of the Society of Jesus (Íñigo Oñaz López de Loyola) | Wood engraving drawn by G. Fath, engraved by Carter. 1881

Ignatius of Loyola, founder of the Society of Jesus (Íñigo Oñaz López de Loyola)

Wood engraving drawn by G. Fath, engraved by Carter. 1881
Crucifixion of Jesus - The Very Last Cry of the Christ (Jean Brunet) | Original photogravure. Anonymous after J. Brunet. 1893

Crucifixion of Jesus - The Very Last Cry of the Christ (Jean Brunet)

Original photogravure. Anonymous after J. Brunet. 1893
Italian Renaissance - Madonna - Saint Luke Painting the Virgin and the Infant Jesus (Raffaello Sanzio or Raphael) | Original line-engraving on copper engraved by M.O. Le bas after R. Sanzio (Raphael). 1805

Italian Renaissance - Madonna - Saint Luke Painting the Virgin and the Infant Jesus (Raffaello Sanzio or Raphael)

Original line-engraving on copper engraved by M.O. Le bas after R. Sanzio (Raphael). 1805

Mary

Optical view of the Church St Mary-le-Bow in London - Cheapsise (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750

Optical view of the Church St Mary-le-Bow in London - Cheapsise (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1750
Optical view of Somerset House and St Mary le Strand in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1770

Optical view of Somerset House and St Mary le Strand in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1770
Optical view of St Mary's College and Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760

Optical view of St Mary's College and Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760